Uncertainty Seminars: Multispecies (Mis)communication

Datum: Zaterdag 29 februari 2020, 15:30 - 21:00 uur
Locatie: Stroom, Hogewal 1-9, Den Haag
Voertaal: Engels

https://uncertainty.stroom.nl

Deelnemende kunstenaars:Jenna Sutela, Adelaide Lala Tam & Kuang-Yi Ku, Missouri Williams, Marjanne van Helvert, Thijs de Zeeuw, James Massiah en anderen.

In de jaren zestig van de vorige eeuw ondernam NASA een onderzoek waarvoor de drie sterren van het televisieprogramma Flipper (Sissy, Pamela en Peter) naar een laboratorium op een Caraïbisch eiland werden overgebracht. Onderzoekster Margaret Lowe Howell verhuisde fulltime naar de locatie om de pre-puberale fles-neus dolfijn Peter Engels te leren spreken. Twee keer per dag gaf ze de dolfijn les om hem te leren 'hallo Margaret' te zeggen. Het 'm'-geluid bleek ongelooflijk moeilijk voor Peter, en de financiering van het experiment werd al snel stopgezet. Sindsdien richten zulk soort onderzoeken zich op complexiteit van de eigen communicatiemiddelen van andere soorten, en wordt er geen Engelse les meer gegeven.

Sinds de pogingen om beroemde dolfijnen deel uit te laten maken van de anglosfeer, hebben kunstenaars en wetenschappers tal van manieren gevonden om met niet-menselijke communicatie te experimenteren: van schapen als acteurs in een toneelstuk van Shakespeare, het ontwikkelen van een taal voor de toekomstige bewoners van Mars, tot het analyseren van de taal van fossielen uit andere tijdvakken dan het Antropoceen. Hoe kunnen experimentele benaderingen ons andere manieren laten zien om in een meersoortige omgeving te leven?
Participating artists and projects(For program schedule scroll down)

Adelaide Lala Tam & Kuang-Yi Ku - The New Ultimate Imperial Feast
Adelaide Lala Tam and Kuang-Yi Ku update the Qing Dynasty Imperial Feast for the twenty-first century, with the aid of a pig's milk cheese platter, moon ginseng soup, super hybrid shark fin soup, and Neanderthal brain.

Missouri Williams - The Problem with King Lear with Sheep
Performed by Alasdair Saksena
Missouri Williams presents a critical reworking of her 2015 play King Lear with Sheep, with the help of 2 bona fide sheep.

Jenna Sutela - nimiia cétiï
Jenna Sutela's audiovisual work uses machine learning to generate a new interpretation of an 1800s Martian language.

Marjanne van Helvert - Objectophilia: Container Vessel Christopher
Marjanne van Helvert recounts her love for Container Ship Christopher, an unattainable kinship with an entity sailing the Baltic sea.

Thijs de Zeeuw - Design for the Non-Human
Thijs de Zeeuw will present his practice as a landscape architect for zoos, in which he has attempted to understand the prairie dog, the snowy owl, the gavial, and the elephant.

James Massiah - DJ set
James Massiah will close the day of events with a DJ set, playing music as well as spoken word produced by him.

PROGRAMMA-SCHEMA

15:00 Walk in
15:30 Lua Vollaard - Introduction
15:45 Missourí Williams - The Problem with King Lear with Sheep (with Sheep) - Performance
16:15 Break
16:30 Marjanne van Helvert - Container Vessel Christopher - Recital
16:50 Thijs de Zeeuw - Lecture
17:10 Panel  discussion
17:40 Break
18:00 Jenna Sutela - nimiia cétiï - Screening
18:15 Adelaide Lala Tam & Kuang-Yi Ku - The New Ultimate Imperial Feast - Presentation
18:45 Light supper - Break
19:30 James Massiah- DJ set
20:30 Drinks and chats

Deze editie van Uncertainty Seminars zet het onderzoek voort dat Stroom in 2018 onder de overkoepelende term De Dingen is gestart. Er wordt gekeken naar de veranderende verhoudingen tussen dieren, planten, machines, mensen, anderen en dingen.Curator: Lua Vollaard.

Grafisch en ruimtelijk ontwerp: The Rodina

MORE ABOUT THE ARTISTS
Adelaide Lala Tamis a food designer who dismantles industrial food production systems to gain a critical understanding of our modern relationship with food. Recently, her vending machine and video work 0.9 Grams of Brass won the Future Food Design Award 2018 in both the jury and audience categories, and the Ultimate Milk Cow project featured among the Water School collection from Studio Makkink and Bey at Salone del Mobile Milan 2019.

Formerly a dentist, Kuang-Yi Ku is a bio-artist and social designer. He founded TW BioArt (a Taiwan bio-art community) to stimulate the fields of BioArt and Science + Art in Taiwan. His works often deal with the human body, sexuality, interspecies interactions, and medical technology, and aim to investigate the relationships among technology, individuals, and the environment.

Jenna Sutela works with words, sounds, and other living media, such as Bacillus subtilis natto bacteria and the "many-headed" slime mold Physarum polycephalum. Her audiovisual pieces, sculptures, and performances seek to identify and react to precarious social and material moments, often in relation to technology. Sutela's work has been presented at museums and art contexts internationally, including Guggenheim Bilbao, Museum of Contemporary Art Tokyo, and Serpentine Galleries. She is a Visiting Artist at The MIT Center for Art, Science & Technology (CAST) in 2019-20.

Missouri Williams is a writer based in London. She is co-editor of the film journal Another Gaze, and her work has appeared in The Baffler, The Believer and The Independent. In 2015, she wrote and directed the bizarro play King Lear with Sheep. Her first novel, The Doloriad, will be published by Dead Ink Books in 2021.

Alasdair Saksena trained in Paris with Philippe Gaulier. He is known in the UK as the only human in King Lear with Sheep and has most recently been touring Europe with his comedy trio Lobster Quadrille. In 2020 he will star in Penge: the Musical.

Thijs de Zeeuw is a landscape architect with a passion for systems. Among his work are contemporary installations, Zoos and large-scale infrastructures. The past years he has worked on numerous designs for Zoos, both on the scale of master planning and enclosure design. More recently, inspired by his work on Zoos, he instigated a multidisciplinary platform: the Nature-Optimist.

Marjanne van Helvert is a designer, writer, and educator. She explores the dynamics between theory and practice of design, within the realms of design ethics and aesthetics, DIY practices, gender politics, utopia and dystopia. Projects include the manifesto Dirty Design (2013), the Dirty Clothes collection (ongoing), and the book The Responsible Object: A History of Design Ideology for the Future (2016, Valiz Publishers).

James Massiah is a poet and DJ from South London whose work explores ideas about sexuality, mortality and ethics through performance, writing and visual media. His latest project Euthanasia Party/Twenty Seven is a series of poems about fate, sex, life and death from the perspective of a young determinist.

Uncertainty Seminars zijn hybride events, waarin twijfel wordt omarmd als culturele strategie.

Met dank aan:
De Uncertainty Seminars worden mede mogelijk gemaakt door het Mondriaan Fonds, BankGiro Loterij Fonds en de Gemeente Den Haag.

PERS
Metropolis M, 10 maart 2020
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